Laura is an English illustrator and paper artist, living and working in beautiful Scotland for the past decade. She can usually be found in her studio in the heart of Glasgow, making collections of miniature artworks and thoughtful book projects. Her work, which is meticulously made from a combination of cut paper and mixed media, explores universal themes such as finding joy in the every day and the changing of the seasons. She loves finding colour schemes that sing, and honing in on the details of the worlds her stories and artworks inhabit.
She's a member of the Paper Artist Collective, and has been trundling up and down the country for the past couple of years to study part-time on the Children's Book Illustration MA at Cambridge School of Art. Her work from this time will be exhibited in February at the Copeland Gallery.
Frequently Asked Questions
How do I make what I make?
My illustrations are all made from paper, with lots of hand cut shapes neatly layered up on top of each other. These come together to make images that are bold and colourful, and I pride myself on paying close attention to detail throughout the whole process.
I take my own photos of these paper cut pieces, being sure to get a good amount of shadow and texture in them (cloudy Glasgow days are perfect for this) and then I edit and prepare the shots so they’re ready for print or to be shared online. Quite often I add details and washes with gouache paint and sometimes I’ll add digital elements or carefully paired type on top.
What are these images used for?
All sorts of things; from books, to magazine covers and spreads, to social media campaigns, to podcast art, to bespoke one off pieces... I like to think that my style can appeal to all ages, but I have a particular passion for making joyful work for children.
How does a project start?
With sketches, usually put together on my iPad. Once the client is happy with the composition, the general image and the colours then I can go ahead with the paper side of things -
bringing that sketch to life with textures, details and shadows.
What is your turnaround time?
Things do take their time, but I’ve got a lot quicker at making my pieces over the years. Some projects have been completed within a week or two, some take longer, but only when time is on my side.
I’m always happy to chat more about this and tailor the timeframe to your needs.
I usually document my process with videos and photos which can really add to a project - people love seeing the time and care that go into things!
Isn't it a faff?!
I personally love working with paper, and find that it’s the way of making images that makes the most sense to me ‑ I tend to think in colour and shape rather than line and tone! There’s a lot of freedom with it too. It’s easy to think that once something is stuck down that there is no way to amend it, but it’s simple to take off an element if you’re not happy with it and take the photo again, and if it involves ripping the paper slightly then Photoshop is a blessing too!
What tools and paper brands do you use?
I've gathered a selection of links to my favourite tools, paper and resources if you're starting out with paper art; find them here!
Do you take private commissions?
Recently, I've decided to pause my bespoke commissions for the time being as I've been enjoying focussing my energies on making growing collections of miniature artworks alongside my book projects. However, I'll be letting my newsletter subscribers know if I reopen for commissions, and when new original pieces will be added to my shop, so please sign up to my Monthly Snippets email list below! Please also note that I no longer sell my bespoke pieces with Not on the High Street.
Do you do school visits?
Yes! I've loved visiting both primary and secondary schools in the past, running vibrant, interactive workshops to teach your kids some of the basic skills of paper cutting. We've explored the stories behind my children's books, themes of identity and self portraiture, built houses, designed characters, and more. This can be done in person or over Zoom if it's easier. I do ask for a fee to cover the prep and teaching, and I'd be more than happy to get in touch with my rates.
Selected Clients & Press
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"Vibrant Morsels of Paper Come Together in Laura K. Sayers’ Stamp Collection" | Collossal Article
Shortlisted for the Batsford Prize '23 | Longlisted for the World Illustration Awards '23
Farrow & Ball, The Fife Arms, HP, Puffin Books, The V&A Dundee, Nicola Benedetti, Not on the High Street, G. F. Smith, Bravery Magazine, & New Music Scotland. Recently exhibited at: Nucleus Portland 'Microdose 5', the Batsford Prize Shortlist Exhibition in London, 'Matisse and the Contemporary Paper Artists' at the Rheged Centre, Paulin Watches (Edinburgh), The Jam Factory (Oxford). Featured on Aye Magazine's list of 100 women to hire for speaking gigs.
Head shots and process photos taken by Theodora van Duin & Flaunt and Flourish